The Sita Chalisa follows Janaki from her appearance in Mithila through the wedding, exile, abduction, return to Ayodhya, life at Valmiki’s ashram, and final return to the earth. Its devotional portrait joins tenderness with extraordinary endurance.
Each unit from Hindi post 75 is preserved in sequence: two opening dohas, forty central stanzas, and the source’s single closing verse. Every Roman lyric unit has its own English meaning.
Quick Facts
Sita Chalisa Lyrics in English
Read the complete source-linked devotional sequence in simple Roman script.
Opening Dohas
Bandau charan saroj nij janak lali sukh dham
Ram priy kirapa karen sumiraun athon dham
Kirati gatha jo padhen sudharain sagare kam
Man mandir basa karen duhkh bhanjan siya ram
Sita Chalisa
Ram priya raghupati raghurai, baidehi ki kirat gai
Charan kamal bandon sir nai, siy surasari sab pap nasai
Janak dulari raghav pyari, bharat lakhan shatruhan vari
Divya dhara son upaji sita, mithileshvar bhayo neh atita
Siya rup bhayo manava ati, rachyo svayanvar janak mahipati
Bhari shiv dhanu khinchai joi, siy jayamal sajihain soi
Bhupati narapati ravan sanga, nahin kari sake shiv dhanu bhanga
Janak nirash bhae lakhi karan, janamyo nahin avanimohi taran
Yah sun vishvamitr muskae, ram lakhan muni sis navae
Ajnya pai uthe raghurai, isht dev guru hiyahin manai
Janak suta gauri sir nava, ram rup unake hiy bhava
Marat palak ram kar dhanu lai, khand khand kari patakin bhu pai
Jay jayakar hui ati bhari, anandit bhae sabain nar nari
Siy chali jayamal samhale, mudit hoy griva men dale
Mangal baj baje chahun ora, pare ram sang siya ke phera
Lauti barat avadhapur ai, tinon matu karain norai
Kaikei kanak bhavan siy dinha, matu sumitra godahi linha
Kaushalya sut bhent diyo siy, harakh apar hue sita hiy
Sab vidhi banti badhai, rajatilak kai yukti sunai
Mand mati manthara adain, ram na bharat rajapad pain
Kaikei kop bhavan ma gaili, vachan pati son apanei gahili
Chaudah baras kop banavasa, bharat rajapad dehi dilasa
Ajnya mani chale raghurai, sang janaki lakshaman bhai
Siy Shri ram path path bhatakain, mrig marichi dekhi man atakai
Ram gae maya mrig maran, ravan sadhu banyo siy karan
Bhiksha kai mis lai siy bhagyo, lanka jai daravan lagyo
Ram viyog son siy akulani, ravan son kahi karkash bani
Hanuman prabhu lae anguthi, siy chudamani dihin anuthi
Ashthasiddhi navanidhi var pava, mahavir siy shish navava
Setu bandhi prabhu lanka jiti, bhakt vibhishan son kari priti
Chadhi viman siy raghupati ae, bharat bhrat prabhu charan suhae
Avadh naresh pai raghav se, siy maharani dekhi hiy hulase
Rajak bol suni siy ban bheji, lakhanalal prabhu bat saheji
Balmik muni ashray dinyo, lavakush janm vahan pai linho
Vividh bhanti gun shiksha dinhin, donuh ramacharit rat linhi
Larikal kai suni sumadhur bani, ramasiya sut dui pahichani
Bhulamani siy vapas lae, ram janaki sabahi suhae
Sati pramanikata kehi karan, basundhara siy ke hiy dharan
Avani suta avani man soi, ram janaki yahi vidhi khoi
Pativrata maryadit mata, sita sati navavon matha
Closing Verse
Janakasut avanidhiya ram priya lavamat, charanakamal jehi un basai sita sumirai prat
Sita Chalisa Meaning in English
Opening Dohas Meaning
The first doha bows at the lotus feet of Janaka’s beloved daughter, asks Rama’s dear Sita for grace, and remembers her sacred presence.
The second says that reading her story sets worthy tasks right and asks Sita and Rama, destroyers of sorrow, to dwell in the temple of the heart.
Chalisa Meaning
The hymn begins by singing the glory of Vaidehi, beloved of Rama, Lord of the Raghu line.
The devotee bows to her lotus feet and compares Sita with the sacred river that washes away wrongdoing.
She is Janaka’s cherished daughter, Raghava’s beloved, and honored by Bharata, Lakshmana, and Shatrughna.
Sita arises wondrously from the earth, filling King Janaka of Mithila with boundless love.
Her beauty delights every heart, and Janaka arranges a svayamvara for her marriage.
The condition declares that the one able to lift Shiva’s great bow will receive Sita’s garland.
Kings, rulers, and Ravana are present, but none can break the bow.
Seeing their failure, Janaka grieves that no champion seems born to meet the challenge.
Vishvamitra smiles on hearing this, while Rama and Lakshmana respectfully bow to the sage.
Receiving his command, Rama rises after remembering his chosen deity and teacher within his heart.
Janaka’s daughter bows to Gauri, holding the beautiful form of Rama in her heart.
Rama takes the bow and breaks it into pieces in an instant.
A tremendous cry of victory rises, and women and men everywhere rejoice.
Sita approaches carrying the wedding garland and happily places it around Rama’s neck.
Auspicious instruments sound in every direction as Sita and Rama complete the wedding rounds.
The wedding party returns to Ayodhya, where the three mothers welcome the bride.
Kaikeyi gives Sita the golden palace, while Sumitra receives her warmly into her lap.
Kaushalya presents her beloved son to Sita, whose heart overflows with happiness.
Congratulations are shared throughout the city and plans for Rama’s coronation begin.
The hymn then recalls Manthara’s harmful intervention, which prevents either Rama or Bharata from immediately taking the throne.
Kaikeyi enters the chamber of anger and insists that her husband honor his earlier promises.
She demands fourteen years of forest exile for Rama and the royal position for Bharata.
Rama obeys, and Janaki and his brother Lakshmana accompany him into exile.
Sita and Rama wander the forest paths until the deceptive deer Maricha captures her attention.
Rama goes after the illusory deer, while Ravana approaches Sita disguised as a holy mendicant.
Using a request for alms as his pretext, Ravana abducts Sita and carries her to Lanka, where he tries to frighten her.
Distressed by separation from Rama, Sita nevertheless answers Ravana with firm and fearless words.
Hanuman brings Rama’s ring as proof of his mission, and Sita gives him her distinctive chudamani in return.
Mahavira bows to Sita and receives the blessing associated in the hymn with the eight attainments and nine treasures.
Rama builds the bridge, conquers Lanka, and establishes friendship with his devotee Vibhishana.
Sita and Raghupati return by the aerial vehicle, while Bharata and the brothers rejoice at Rama’s feet.
Raghava becomes king of Ayodhya, and hearts delight to see Sita as queen.
After hearing a washerman’s accusation, Rama sends Sita to the forest, entrusting the painful command to Lakshmana.
Sage Valmiki gives her shelter, and Lava and Kusha are born at his ashram.
The two sons receive many forms of education and learn the story of Rama by heart.
Hearing their sweet young voices, Rama recognizes the two as the sons of Sita and himself.
Sita is brought back after the error is acknowledged, and the reunited image of Rama and Janaki pleases everyone.
To establish her truth beyond further accusation, Sita asks the earth to receive her.
The daughter of the earth returns into the earth, and Rama and Janaki are separated in this final way.
The central hymn closes by bowing to Sita as a faithful, dignified Mother who upheld moral restraint.
Closing Verse Meaning
The closing remembers Janaka’s daughter, child of the earth, beloved of Rama and mother of Lava, and asks that Sita’s lotus feet dwell within those who remember her each morning.
Sita Chalisa: Background from Mithila to Valmiki’s Ashram
The hymn traces a compact Ramayana sequence centered on Sita rather than treating her as a secondary figure. Mithila, the bow contest, forest exile, Lanka, Ayodhya, Valmiki’s ashram, Lava and Kusha, and the return to the earth all appear.
Names such as Janaki, Vaidehi, and Avani Suta emphasize her relationships with Janaka, Videha, and the earth. The source presents dignity not as silence, but through her firm reply to Ravana and her final demand that truth be recognized.
Main Themes in the Sita Chalisa
Endurance runs through the hymn, but Sita is never only a passive sufferer; she chooses exile, resists Ravana, exchanges signs with Hanuman, and speaks through decisive action.
Dignity and moral restraint shape her portrayal even when public judgment becomes painful and unjust.
The earth imagery frames both her sacred beginning and final return, giving the narrative a complete devotional arc.
How to Read the Sita Chalisa
Read the stanzas in narrative sequence, pausing at the transitions from Mithila to exile, Lanka, Ayodhya, and Valmiki’s ashram.
The page explains what the source says without treating every painful event as a rule for present-day conduct. Use the meanings to distinguish devotional memory from prescription.
Frequently Asked Questions
The source moves from Mithila and the bow contest through exile, Lanka, return to Ayodhya, Valmiki’s ashram, Lava and Kusha, and Sita’s return to the earth.
Janaki identifies Sita as Janaka’s daughter, while Vaidehi links her with the kingdom and lineage of Videha.
She accompanies Rama into exile, answers Ravana firmly, preserves hope in Lanka, and takes decisive action when her integrity is questioned.
The stored Hindi source contains one final single-line unit, so this page preserves it without inventing a missing partner line.
Yes. Two opening dohas, forty central stanzas, and the final source verse each have a corresponding English meaning.
