The Santoshi Mata Chalisa centers devotion on santosh—contentment shaped by trust, gratitude, and a calmer relationship with desire. The hymn also honors the Mother through several regional forms of the Goddess.

Every source stanza from Hindi post 72 is retained as one Roman lyric unit and paired with its own English meaning, including the two opening dohas and final prayer.

Quick Facts

Dedicated ToSantoshi Mata
Text TypeDevotional Chalisa
Source StructureTwo opening dohas, 40 Chalisa stanzas, and one closing doha
Main FocusContentment, peace, sincere devotion, and refuge
Common DaysFriday and personal devotional practice
PresentationSimple Roman lyrics with natural English meaning

Santoshi Mata Chalisa Lyrics in English

Read the complete source-linked devotional sequence in simple Roman script.

Opening Dohas

Bandaun santoshi charan riddhi-siddhi datar
Dhyan dharat hi hot nar duhkh sagar se par

Bhaktan ko santosh de santoshi tav nam
Kripa karahu jagadamb ab aya tere dham

Santoshi Mata Chalisa

Jay santoshi mat anupam shanti dayini rup manoram

Sundar varan chaturbhuj rupa vesh manohar lalit anupa

Shvetambar rup manahari man tumhari chhavi jag se nyari

Divy svarupa ayat lochan darshan se ho sankat mochan

Jay ganesh ki suta bhavani riddhi-siddhi ki putri jnyani

Agam agochar tumhari maya sab par karo kripa ki chhaya

Nam anek tumhare mata akhil vishv hai tumako dhyata

Tumane rup anekon dhare ko kahi sake charitr tumhare

Dham anek kahan tak kahiye sumiran tab karake sukh lahiye

Vindhyachal men vindhyavasini koteshvar sarasvati suhasini

Kalakatte men tu hi kali dusht nashini mahakarali

Sambal pur bahuchara kahati bhaktajanon ka duhkh mitati

Jvala ji men jvala devi pujat nity bhakt jan sevi

Nagar bambai ki maharani maha lakshmi tum kalyani

Madura men minakshi tum ho sukh dukh sabaki sakshi tum ho

Rajanagar men tum jagadambe bani bhadrakali tum ambe

Pavagadh men durga mata akhil vishv tera yash gata

Kashi puradhishvari mata annapurna nam suhata

Sarvanand karo kalyani tumhin sharada amrit vani

Tumhari mahima jal men thal men duhkh daridr sab meto pal men

Jete rishi aur munisha narad dev aur devesha

Is jagati ke nar aur nari dhyan dharat hain mat tumhari

Japar kripa tumhari hoti vah pata bhakti ka moti

Duhkh daridr sankat mit jata dhyan tumhara jo jan dhyata

Jo jan tumhari mahima gavai dhyan tumhara kar sukh pavai

Jo man rakhe shuddh bhavana taki puran karo kamana

Kumati nivari sumati ki datri jayati jayati mata jagadhatri

Shukravar ka divas suhavan jo vrat kare tumhara pavan

Gud chhole ka bhog lagavai katha tumhari sune sunavai

Vidhivat puja kare tumhari phir prasad pave shubhakari

Shakti-samarath ho jo dhanako dan-dakshina de vipran ko

Ve jagati ke nar au nari manavanchhit phal paven bhari

Jo jan sharan tumhari jave so nishchay bhav se tar jave

Tumharo dhyan kumari dhyave nishchay manavanchhit var pavai

Sadhava puja kare tumhari amar suhagin ho vah nari

Vidhava dhar ke dhyan tumhara bhavasagar se utare para

Jayati jayati jay sankat harani vighn vinashan mangal karani

Ham par sankat hai ati bhari vegi khabar lo mat hamari

Nishidin dhyan tumharo dhyata deh bhakti var ham ko mata

Yah chalisa jo nit gave so bhavasagar se tar jave

Closing Doha

Santoshi man ke sada, bandahun pag nish vas
Purn manorath ho sakal, mat harau bhav tras

Santoshi Mata Chalisa Meaning in English

Opening Dohas Meaning

The first doha bows at Santoshi Mata’s feet, calls her a giver of spiritual attainments, and says that meditation helps a person cross the ocean of sorrow.

The second explains her name through the contentment she gives devotees and asks Jagadamba for grace upon arriving at her sacred refuge.

Chalisa Meaning

The hymn praises the incomparable Mother Santoshi, whose beautiful form gives peace.

She is pictured with a graceful complexion, four arms, and an elegant, captivating appearance.

Her white garments create a serene image that the hymn calls unlike any other in the world.

Her divine form and long eyes are praised, and her sight is sought as relief from trouble.

She is honored as Ganesha’s daughter and as the wise daughter of Riddhi and Siddhi within this devotional tradition.

Her mystery is beyond ordinary perception, and the prayer asks her to spread compassionate shelter over everyone.

The Mother bears many names and is remembered by devotees throughout the world.

She has assumed numerous forms whose full stories no speaker could completely recount.

Her sacred places are too many to list, so the devotee turns instead to remembrance as a source of peace.

At Vindhyachal she is recognized as Vindhyavasini, and at Koteshwar through the smiling form of Saraswati.

In Kolkata the hymn recognizes her as Kali, the formidable destroyer of harmful forces.

At Sambalpur she is called Bahuchara and is praised for removing the sorrow of devotees.

At Jwala Ji she appears as Jwala Devi, served and worshipped daily by devotees.

In Mumbai the hymn honors her as Mahalakshmi, an auspicious and benevolent queen.

At Madurai she is Meenakshi, witness to both the happiness and sorrow of every person.

At Rajnagar she is remembered as Jagadamba and Bhadrakali, the protective Mother.

At Pavagadh she is Durga Mata, whose glory is sung across the world.

In Kashi she is the sovereign Mother Annapurna, the nourishing form with a beloved name.

She brings complete joy and is also Sharada, whose speech is compared with nectar.

Her greatness fills water and land, and the devotee asks her to remove sorrow and poverty.

Sages, Narada, gods, and divine leaders are all included among those who honor the Mother.

Women and men throughout the world hold Santoshi Mata in meditative remembrance.

One who receives her grace is said to discover the precious jewel of devotion.

The hymn associates focused remembrance of the Mother with relief from sorrow, poverty, and crisis.

A person who sings her glory and meditates upon her finds devotional happiness.

The Mother is asked to fulfill the worthy aspiration of a mind grounded in pure intention.

She removes misguided thinking and gives sound understanding as the Mother who sustains the world.

Friday is praised as an auspicious day for undertaking her sacred vow.

The source names an offering of jaggery and chickpeas and the listening and retelling of her devotional story.

It then describes orderly worship followed by respectfully receiving the blessed food.

Those with sufficient means are encouraged to give gifts and support to learned recipients.

The hymn expresses the traditional hope that sincere women and men receive the fruit they seek.

A person who enters the Mother’s refuge is promised a path across the difficulties of worldly existence.

An unmarried devotee meditates upon her and prays for a fitting, deeply desired blessing.

A married woman worships the Mother with a prayer for enduring marital well-being.

A widow who meditates upon her is promised spiritual passage beyond the ocean of worldly sorrow.

The hymn repeatedly hails the remover of crisis, destroyer of obstacles, and bringer of auspiciousness.

The speaker admits a heavy present difficulty and asks the Mother to respond quickly.

The devotee remembers her day and night and asks above all for the blessing of devotion.

The central sequence ends by commending regular singing of the Chalisa as a way across worldly hardship.

Closing Doha Meaning

The closing bows continually at Santoshi Mata’s feet and asks her to fulfill worthy aims while removing fear of worldly existence.

Santoshi Mata Chalisa: Background and the Meaning of Contentment

The source connects Santoshi Mata with contentment, Friday observance, a simple offering of jaggery and chickpeas, and the devotional story associated with her worship. The Chalisa itself remains distinct from a full vow procedure.

It also recognizes the Goddess through Kali, Meenakshi, Durga, Annapurna, Saraswati, and other regional names. This broad identification places contentment within the larger devotional world of the Divine Mother.

Main Themes in the Santoshi Mata Chalisa

Contentment is not passivity; it is a steadier mind from which desire, hardship, and gratitude can be approached honestly.

The many sacred places emphasize unity through diverse forms rather than limiting the Mother to one region.

The prayer finally values devotion above reward, asking for inner steadiness even while naming ordinary human hopes.

How to Read the Santoshi Mata Chalisa

Friday is prominent in the source, but reading the Chalisa does not by itself require undertaking a formal vow. Follow the practice appropriate to your family or community.

Keep each Roman stanza together, then read its matching meaning. Treat promised results as expressions of devotional hope rather than automatic guarantees.

Frequently Asked Questions

It is connected with santosh, or contentment—the calm, grateful quality at the center of the prayer.

The Hindi source explicitly describes Friday as an auspicious day for Santoshi Mata’s devotional vow.

The text names jaggery and chickpeas, followed by listening to the devotional story and receiving blessed food.

No. The Chalisa is a devotional hymn; a formal vow has additional practices that may vary by tradition.

The page contains two opening dohas, forty central stanzas, and one closing doha, each with a matching meaning.