Navagraha Chalisa gives each of the nine grahas a short movement within one continuous prayer. Four units at a time praise Surya, Chandra, Mangala, Budha, Brihaspati, Shukra, Shani, Rahu, and Ketu before an authorial conclusion.

The Hindi article body retained no verses, but its verified metadata preserves the complete forty-unit design, two opening dohas, and two closing dohas. The recovered structure is especially clear because every planetary section remains in sequence.

Quick Facts

Dedicated ToThe Navagraha: Surya, Chandra, Mangala, Budha, Brihaspati, Shukra, Shani, Rahu, and Ketu
Text TypeDevotional Chalisa
Source StructureTwo opening dohas, 40 main stanzas, and two closing dohas
Main FocusBalanced praise of the nine grahas, discernment, steadiness, and prayer for peace
Common DaysNavagraha observances and personal devotional reading
PresentationSimple Roman lyrics with natural English meaning

Navagraha Chalisa Lyrics in English

Read the complete source-linked devotional sequence in simple Roman script.

Shri ganapati gurupad kamal, prem sahit siranay
Navagrah chalisa kahat, sharad hot sahay

Jay jay ravi shashi sOm budh, jay guru bhrigu shani raj
Jayati rahu aru ketu grah, karahu anugrah aj

Prathamahi ravi kahan navaun matha karahun kripa jani jani anatha

He adity divakar bhanu main mati mand maha ajnyanu

Ab nij jan kahan harahu kalesha dinakar dvadash rup dinesha

Namo bhaskar sury prabhakar ark mitr agh mogh kshamakar

Shashi mayank rajanipati svami chandr kalanidhi namo namami

Rakapati himanshu rakesha pranavat jan tan harahun kalesha

SOm indu vidhu shanti sudhakar shit rashmi aushadhi nishakar

Tumhin shobhit sundar bhal mahesha sharan sharan jan harahun kalesha

Jay jay jay mangal sukhadata lohit bhaumadik vikhyata

Angarak kuj ruj rinahari karahu daya yahi vinay hamari

He mahisut chhitisut sukharashi lohitang jay jan aghanashi

Agam amangal ab har lijai sakal manorath puran kijai

Jay shashi nandan budh maharaja karahu sakal jan kahan shubh kaja

Dijai buddhi bal sumati sujana kathin kasht hari kari kalyana

He tarasut rohini nandan chandrasuvan dukh dvandv nikandan

Pujahu as das kahu svami pranat pal prabhu namo namami

Jayati jayati jay Shri gurudeva karon sada tumhari prabhu seva

Devachary tum dev guru jnyani indr purohit vidyadani

Vachaspati bagish udara jiv brihaspati nam tumhara

Vidya sindhu angira nama karahu sakal vidhi puran kama

Shukr dev pad tal jal jata das nirantan dhyan lagata

He ushana bhargav bhrigu nandan daity purohit dusht nikandan

Bhrigukul bhushan dushan hari harahu nesht grah karahu sukhari

Tuhi dvijabar joshi sirataja nar sharir ke tumahin raja

Jay Shri shanidev ravi nandan jay krishno sauri jagavandan

Pingal mand raudr yam nama vapr adi konasth lalama

Vakr drishti pippal tan saja kshan mahan karat rank kshan raja

Lalat svarn pad karat nihala harahu vipatti chhaya ke lala

Jay jay rahu gagan pravisaiya tumahi chandr adity grasaiya

Ravi shashi ari svarbhanu dhara shikhi adi bahu nam tumhara

Saihinkey tum nishachar raja ardhakay jag rakhahu laja

Yadi grah samay pay kahin avahu sada shanti aur sukh upajavahu

Jay Shri ketu kathin dukhahari karahu sujan hit mangalakari

Dhvajayut rund rup vikarala ghor raudratan aghaman kala

Shikhi tarika grah balavan maha pratap na tej thikana

Vahan min maha shubhakari dijai shanti daya ur dhari

Tiratharaj prayag supasa basai ram ke sundar dasa

Kakara gramahin pure-tivari durvasashram jan dukh hari

Nav-grah shanti likhyo sukh hetu jan tan kasht utaran setu

Jo nit path karai chit lavai sab sukh bhogi param pad pavai

Dhany navagrah dev prabhu, mahima agam apar
Chit nav mangal mod grih, jagat janan sukhadvar

Yah chalisa navograh, virachit sundaradas
Padhat prem sut badhat sukh, sarvanand hulas

Navagraha Chalisa Meaning in English

Bowing lovingly to Ganapati and the Guru’s lotus feet, the poet begins the Navagraha Chalisa with Sarasvati’s help.

Sun, Moon, Mars, Mercury, Jupiter, Venus, Saturn, Rahu, and Ketu are acclaimed and asked to show grace today.

The prayer first bows to Surya and asks him to show compassion to one who feels helpless.

Aditya, Divakar, and Bhanu are addressed by a speaker who admits limited understanding.

The twelvefold Lord of the day is asked to remove the affliction of his devotee.

Bhaskar, Surya, Prabhakar, Arka, and Mitra are praised as forgiving sources of light.

The hymn turns to Moon as Shashi, Mayank, Lord of night, and treasury of lunar phases.

Rakapati, Himanshu, and Rakesh are asked to ease the bodily distress of those who bow.

Soma and Indu bring cool rays, healing herbs, calm, and nectar-like refreshment.

The Moon beautifies Mahesha’s forehead and is approached as a refuge from affliction.

Victory is offered to Mangala, the red Bhauma, as a giver of well-being.

Angaraka and Kuja are asked compassionately to remove illness and debt.

Son of Earth and red-limbed power, Mangala is praised as a source of strength and remover of wrongdoing.

The prayer asks him to take away inauspiciousness and bring worthy hopes to completion.

Budha, child of the Moon, is acclaimed and asked to support auspicious work for everyone.

He is asked to give intelligence, strength, sound judgment, and welfare amid difficult trouble.

Son of Tara and descendant of the Moon, Budha is invoked against conflicting sorrow.

The servant worships with hope and bows to the Lord who protects those who surrender.

Victory is offered to revered Gurudeva, with a promise of continual service.

Brihaspati is divine teacher, Indra’s priest, wise guide, and giver of learning.

He is Vachaspati, Vagisha, generous Jiva, and the one called Brihaspati.

Angiras, ocean of knowledge, is asked to complete every worthy undertaking.

The servant rests at Shukra’s feet and directs the mind there continually.

Ushana, Bhargava, and son of Bhrigu is remembered as teacher of the daityas and opponent of harm.

Ornament of Bhrigu’s line, Shukra is asked to remove defects and make difficult influences gentler.

The source honours him as a foremost learned guide associated with embodied life.

Victory to Shani, son of Surya, dark-hued Sauri, and one honoured throughout the world.

Pingala, Manda, Raudra, Yama, and Konastha are among the names used for Saturn.

His oblique gaze is portrayed as able to turn poverty into kingship or kingship into poverty in a moment.

The son of Chhaya is asked to remove calamity and let his golden feet bring reassurance.

Rahu, traveller of the sky, is remembered through the traditional covering of Sun and Moon.

Enemy of the luminaries and Svarbhanu are among the many names given to Rahu.

Simhika’s half-bodied son is called a ruler of night beings and asked to preserve dignity.

Whenever his period arrives, the prayer asks that peace and happiness arise instead of turmoil.

Ketu is acclaimed as a remover of hard suffering and asked to act for the welfare of good people.

His bannered, headless, formidable form expresses a fierce power against wrongdoing.

Ketu is called Shikhi and Taraka, a graha whose force and brilliance are difficult to measure.

With the fish named as vehicle, he is asked to hold compassion in the heart and grant peace.

The hymn locates its poet near sacred Prayag and identifies him as Sundar Das, servant of Ram.

Kakra village and the area near Durvasa’s ashram are remembered as a place where distress is eased.

The poet says this Navagraha prayer was written for peace and as a bridge across bodily trouble.

One who reads attentively each day is said to enjoy well-being and ultimately reach the highest state.

The nine graha deities are praised for immeasurable greatness and asked to bring fresh auspiciousness and joy to the home.

Sundar Das identifies his composition and associates loving recitation with growing happiness and shared delight.

Navagraha Chalisa: Nine Movements within One Prayer

The text’s architecture is unusually precise: four units for each graha make thirty-six, followed by four units naming the poet, place, purpose, and result. That internal design supports the recovered count.

Graha devotion is a religious and cultural practice rather than a guarantee of future events. The meanings explain the hymn’s petitions while leaving practical decisions to evidence and qualified advice.

Main Themes in the Navagraha Chalisa

Difference is held within balance as fiery, cool, learned, slow, visible, and shadowed powers all receive a place in one sequence.

The poet’s concluding location and signature turn a cosmic prayer into a specific human act of authorship and hope.

How to Read the Navagraha Chalisa

Notice each four-stanza transition from Surya through Ketu; the stable pattern makes the full forty-unit recovery easy to follow.

Use the prayer for reflection and composure, not as a substitute for professional judgment or as a reason to fear a birth chart.

Frequently Asked Questions